Steppenwolf opens its 50th anniversary season with Rajiv Joseph’s dark play about a kidnapped 15-year-old girl returned to her parents

MR. WOLF simultaneously fascinated and repulsed me. This play from Rajiv Joseph, now in its Chicago premiere to kick off Steppenwolf’s 50th anniversary season, is gripping and terrifying. It centers on 15-year-old Theresa, who was kidnapped at the age of 3 by the titular Mr. Wolf. Now, by a miracle, Theresa has been safely returned home to her parents. And while Theresa is in good physical health, the play slowly unfolds a number of twists and turns that reveal just how much trauma the teenager has endured.

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The Goodman’s centennial season opens with this world premiere set in Chicago and featuring Jenna Fischer from THE OFFICE — Now playing through October 12 

ASHLAND AVENUE is a genial and charming play set in Chicago. Directed by Goodman Theatre’s Artistic Director Susan Booth, the Chicago setting of Lee Kirk’s world premiere certainly seems fitting for the opening of the theater’s centennial season. But this isn’t the kind of gritty, metaphorical “blood on the walls” kind of play often associated with Chicago-style theater. Instead, Kirk’s story about a Chicago family-owned business is much gentler. 

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Kristoffer Diaz’s world premiere play runs through October 5, 2025

Kristoffer Diaz’s THINGS WITH FRIENDS is one extremely chaotic, messy dinner party. This world premiere introduces a variety of different flavors that come together for an undercooked meal. Directed by Dexter Bullard, THINGS WITH FRIENDS introduces us to dinner party hosts Adele (Audrey Billings) and Burt (Casey Campbell) who live comfortably on the 27th floor of a cushy Manhattan apartment. The twist? Their fabulous apartment (gorgeously designed by Grant Sabin, by the way) overlooks the recently collapsed George Washington Bridge. Adele often looks out worriedly at the bridge and panics at the prospect of rain. She also frets over the forthcoming arrival of the couple’s slick friends Vy (Cruz Gonzalez-Cadel) and Chabby (Jon Hudson Odom). The play implies they’re close friends, but there’s clearly friction between the couples — especially once Chabby reveals a rather unorthodox proposal in the wake of NYC’s recent climate change disasters.

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The charming Chicago premiere of this musical based on the cult classic 2001 film runs through September 28, 2025

With AMÉLIE, Kokandy Productions has turned an obscure musical into a charming and intimate production sure to give the warm fuzzies. Based on the 2001 film of the same name (notably starring Audrey Tatou in the title role), Kokandy Artistic Director Derek Van Barham’s staging captures all the charm and whimsy of its source material (and, to my mind, improves upon it even more with the musical treatment). With book by Craig Lucas, music by Daniel Messé, and lyrics by Nathan Tysen and Messé, the show sweeps audiences up into the tale of the quirky Amélie and her desire to become a “do-gooder” and improve the lives of those around her.

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Otherworld Theatre Company’s limited engagement runs through August 31, 2025

TWIHARD! A TWILIGHT MUSICAL PARODY should be veritable millennial theater nerd catnip. I read the first of Stephenie Meyer’s books about mere mortal Bella Swan and her glittery vampire love Edward Cullen in eighth grade, and I continued to devour the rest of the series throughout high school (plus the films notoriously starring Kristen Stewart and Robert Pattinson). In retrospect, the cringeworthy elements of Meyer’s book series practically parody themselves — which makes them ripe for a parody stage adaptation from director/book writer and lyricist Tiffany Keane Schaefer and composer Brian Rasmussen. 

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The world premiere play about the tennis legend from playwright Lauren Gunderson runs through August 10 in the Yard

In Chilina Kennedy, director Marc Bruni and Lauren M. Gunderson have found a tenacious and hard-hitting actor to play the eponymous tennis legend in BILLIE JEAN. The role of Billie Jean King, who tirelessly fought for women to have equal pay in professional tennis, necessarily centers the play. Kennedy’s boundless energy and appealing spunk really give it life. 

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Enjoy the dazzling stage tour of this “tale as old as time” through August 2, 2025

The new national tour of BEAUTY AND THE BEAST is gorgeous and full of Disney stage magic. Disney Theatrical Group has pulled out all the stops for the first tour of this musical in 25 years. I wore out my VHS tape of BEAUTY AND THE BEAST as a child; Alan Menken and Howard Ashman’s classic music and lyrics have a special place in my heart. But this was actually my first time seeing any stage version of this show—and it was absolutely the one to see.

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The Goodman concludes its 99th season with the musical revival featuring a 29-member company of many Chicago musical theater all-stars

THE COLOR PURPLE THE MUSICAL is a portrait of Celie, a young Black woman living in a small Georgia town, as she goes on a journey of pain, resilience, and self-discovery. With direction by Lili-Anne Brown, music direction by Jermaine HIll, and choreography by Breon Arzell, Goodman Theatre’s revival of the 2004 musical based on Alice Walker’s Pulitzer Prize winning-novel takes audiences along for Celie’s emotional story. 

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The Chicago premiere of Noah Diaz’s affecting and unusual play runs through July 20, 2025

Noah Diaz’s YOU WILL GET SICK is an affecting and unusual play. With direction from Steppenwolf Co-Artistic Director Audrey Francis, it closes out the season in a moving and intriguing manner. The “will” in the play’s title is pivotal to the proceedings — the central character, identified only in the script as “#1,” has an unnamed degenerative disease. Although #1’s experience with his body’s failings is paramount, Diaz doesn’t explore sickness through the lens of blood or body horror. 

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The 49th revue plays an open run at The Second City e.t.c.

The Second City e.t.c.’s CHAOS THEORY OF EVERYTHING is a potpourri of comedy. While some past e.t.c. revues have loosely unified around a theme, CHAOS describes this one well. It’s a little bit of everything. As with past Second City revues, that means some of the jokes really land…and some don’t. With direction from Anthony LeBlanc, returning company members Meghan Babbe, Jenelle Cheyne, Javid Iqbal, and Tim Metzler are joined by newcomers Spencer Hodges and Max Thomas. This ensemble mixes it up with some topical/political sketches and some evergreen ones.

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