Month: April 2017

Porchlight’s MARRY ME A LITTLE is a Rhapsodic Love Letter to Sondheim’s Song Catalog

Porchlight’s MARRY ME A LITTLE is a Rhapsodic Love Letter to Sondheim’s Song Catalog

True blue fans of Stephen Sondheim (this reviewer included) will be drooling over Porchlight’s latest offering MARRY ME A LITTLE. This two-hander revue showcases a number of Sondheim’s finest trunk songs—early renditions of numbers that were cut from such musicals as FOLLIES, INTO THE WOODS and MERRILY WE ROLL ALONG. Conceived and developed by Craig Lucas and Norman René, MARRY ME A LITTLE (which has been revised for this production) introduces audiences to two lonely singles in New York City—known merely as “The Man” and “The Woman.” Living just an apartment floor away, these two lament their loneliness, and it becomes up to audiences to decide if the relationship that transpires in the show is real or imagined. The details are a bit foggy as MARRY ME A LITTLE has no dialogue whatsoever, but the piece is ultimately designed to showcase Sondheim’s work.

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