Month: June 2023

Review: ANOTHER MARRIAGE at Steppenwolf Theatre Company

Review: ANOTHER MARRIAGE at Steppenwolf Theatre Company

Director Terry Kinney’s production of ensemble member Kate Arrington’s world premiere play featuring Judy Greer runs through July 30, 2023

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THE WHO’S TOMMY at Goodman Theatre

THE WHO’S TOMMY at Goodman Theatre

Goodman Theatre has put together a mean game of pinball for this summer’s production of THE WHO’S TOMMY. This is an unadulterated musical theater spectacle with a massive cast, exquisite production design, and fantastic sound. It’s a reflection on surviving after trauma, and the dangers of blind obedience to figureheads and cultural institutions. All these themes are treated broadly in Pete Townshend’s music and lyrics and book by director Des McAnuff and Townshend, but they provide some thematic color to this immense sensory experience. 

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Review: LUCY AND CHARLIE’S HONEYMOON at Lookingglass Theatre Company

Review: LUCY AND CHARLIE’S HONEYMOON at Lookingglass Theatre Company

Lucy and Charlie are Asian American newlyweds on that “Vigilante Sh*t” (to borrow from Taylor Swift) in Matthew C. Yee’s premiere musical LUCY AND CHARLIE’S HONEYMOON. With book and music by Yee and direction by Amanda Dehnert, this is a hilarious and original ride. The pair rob a convenience store at the top of the play using a toy gun…and that act propels them on a wild adventure, which is told through funny book scenes and songs from Yee’s distinctive rock score. 

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Review: DON’T QUIT YOUR DAYDREAM at The Second City Mainstage 

Review: DON’T QUIT YOUR DAYDREAM at The Second City Mainstage 

The Second City’s 11th Mainstage revue DON’T QUIT YOUR DAYDREAM has a slightly existential air to it as the name suggests. In one of the revue’s most effective sketches, ensemble member Evan Mills breaks into song as he muses about the questions that keep him up at night—they range from the mundane “Why does it take six hours to be assisted at a place called urgent care?” to the more complex “Why are people afraid of men in dresses but not of men with guns?” In keeping with the tradition of Mainstage revues past, the political leanings are definitely liberal (and that resonates just fine with me), and questions like the ones that Mills poses in that sketch are on the clever-funny side. 

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