J. Nicole Brooks’s HER HONOR JANE BYRNE, now in a world premiere production at Lookingglass, is a play deeply rooted in Chicago’s not-too-distant history. Inspired by former Chicago Mayor Jane Byrne (the first woman to serve as mayor here) and her decision to move into Cabrini-Green as a display of her desire to revitalize the city’s housing projects, the play introduces a cast of characters representing different perspectives in the city. Brooks (who also directs) has assembled an intriguing array of characters in HER HONOR JANE BYRNE, and she makes the pivotal choice to prominently feature residents of Cabrini-Green as much as Byrne and some of her fellow Chicago politicians. Yet the play becomes too cluttered in its various storylines and ideas.
Month: March 2020
In WHAT THE CONSTITUTION MEANS TO ME, playwright Heidi Schreck has pulled off one of the most challenging feats in theater: The seamless blending of the personal and the universal. And the result is remarkable. In the play, Schreck reconstructs the speech she gave at age fifteen about the U.S. Constitution in competitions across the country; she was able to win enough of these contests to pay for her entire college education. The play evolves into an examination of what the Constitution has meant to Schreck at various points in her life, from her initial awe in high school to her present-day questioning of whether this esteemed American document actually protects the rights of all citizens. It’s a blistering examination of our country’s frequent failure to protect the rights of women and minorities (and particularly Native Americans), partly as relayed by Schreck’s inclusion of some haunting stories about the history of the women in her family.