Tracy Letts’s world premiere THE MINUTES, now making its debut at Steppenwolf Theatre Company, unfolds in an unsuspecting manner. Both because the play has a smart structure that shifts over the course of the 100-minute runtime and also because the content left me contemplative for days after seeing it. Here Letts uses the framework of a small town’s council meeting as a microcosm of a larger discussion on the current political climate (though this play is not overtly about Trump’s presidency) and the desire to cling to certain ideologies in the name of order and group preservation, though those long-held beliefs may not be true. To borrow from Stephen Colbert, Letts has written a play that compellingly examines the appeal of “truthiness” in this contentious political environment.
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