Month: May 2019

Review: NEXT TO NORMAL at Writers Theatre

Review: NEXT TO NORMAL at Writers Theatre

Under the direction of David Cromer, Writers Theatre presents a NEXT TO NORMAL that is raw and electric. Tom Kitt’s music and Brian Yorkey’s book and lyrics have an utter immediacy to them in this production (and each note sounds great thanks to the music direction of Andra Velis Simon and the six-piece band.) It’s beautifully cast and even more beautifully delivered. Each member of the cast rises to the dual challenge of conveying the messy, deeply personal experience of emotional pain while also hitting the notes of Kitt’s complex score with precision.

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Review: THE WINTER’S TALE at Goodman Theatre

Review: THE WINTER’S TALE at Goodman Theatre

Under the direction of Artistic Director Robert Falls, Goodman Theatre’s THE WINTER’S TALE is one of the most inventive and playful productions of Shakespeare I’ve seen. In the Shakespearean canon, THE WINTER’S TALE defies easy categorization. Unlike many of Shakespeare’s other plays, which can be neatly defined as either tragedy or comedy, THE WINTER’S TALE incorporates both immense despair and immense mirth in the text’s very core.

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Review: WEST SIDE STORY at Lyric Opera

Review: WEST SIDE STORY at Lyric Opera

Lyric Opera has staged a grand, traditional WEST SIDE STORY that serves as a veritable primer for this iconic musical. With director Francesca Zambello at the helm, who is no stranger to directing classic musicals, Lyric’s production celebrates the beauty and complexity of Leonard Bernstein’s stunning score and Stephen Sondheim’s lyrics. All the hallmarks of a classic WEST SIDE STORY are present here, starting with the urban-yet-polished set design from Peter J. Davison (with that famous balcony intact)

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Review: THE CHILDREN at Steppenwolf Theatre Company

Review: THE CHILDREN at Steppenwolf Theatre Company

Lucy Kirkwood’s aptly titled THE CHILDREN, now in its Chicago premiere at Steppenwolf Theatre Company, poses thought-provoking questions about the responsibilities that humankind has to future generations. Kirkwood’s intentionally crafted play filters these broad themes through the specific narrative of her three characters, all nuclear scientists. The larger repercussions of the characters’ careers means that Kirkwood can dive into the meaty content of the play with both a particular emotional arc and also with a universality that should resonate with all audience members. Because of this, THE CHILDREN comes across as rather pointed in certain moments, but the weight of the issues that Kirkwood presents allows it to resonate deeply.

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